Under the influence of Dave’s high school composer-friend, Andrew Rudin, he became enamored of the music of Charles Ives and was inspired to write an essay on that New England composer. Two years later he would write a poem on Ives, entitled “Order of Worship," which he included in his self-published chapbook, doubt & Redoute, of 1962. In 2001, he would write a second poem on Ives, entitled “The Pilgrimage,” with both titles indicating the same type of secular idolatry found in his essay in Pulse. Rereading his essay (reproduced below), Dave was chagrined to find his writing so awkward and his incorrect use of the word “realized,” instead of “recognized.” But the object of having a student literary magazine is to give a fledgling writer a chance to try his wings and learn from the experience of going into print. In the past Dave had been unable to understand why he had quoted from W.H. Auden's poem, "The Letter," other than to show off his readings, but this time he “realized” that in writing the essay he had tried to make a connection between the Auden lines and critics who faulted Ives wIth being blind and lost in terms of music composition. Dave was surprised to see that at the time of writing his essay in 1959 that he already knew La Création du Monde, the jazz-influenced composition by Darius Milhaud. He says that it has been painful but fun to revisit his early writings.